如同電影學(xué)生對(duì)20世紀(jì)華語電影中性別文化的一個(gè)簡(jiǎn)短總結(jié)——absence of father; femine and masculine face and body; "fathers" are everywhere; looking for father, finding elder brother;transvestites and transsexuals; absence of father II.每個(gè)作品都有導(dǎo)演自身經(jīng)歷的投射,也代表了導(dǎo)演所處的那個(gè)大時(shí)代。如同這部作品,也許關(guān)錦鵬自己也只是在探索為何他會(huì)更加偏愛女性題材的影片,父權(quán)是如何消散的。
用戶評(píng)論