僅僅作為紀(jì)錄片來(lái)說(shuō)也是一流的,把創(chuàng)作時(shí)候的creative process和作品本身串聯(lián)在一起講實(shí)在是一個(gè)smart choice. Hamilton身上的確capture了所謂的American-ness,包括但不限于那種young, scrappy and hungry的生命力以及最后極具悲劇性的自毀式結(jié)局。Hamilton as a self-destructive survivor presents the kind of duality that is fascinating to wrap your head around.
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